Life imitates The Wire, episode 11,876

Rachel Maddow had Princeton’s Melissa Harris-Lacewell on last night to discuss the drama surrounding seats in the US Senate opened by Obama’s appointments. Naturally, the discussion focused primarily on the Blagojevich scandal.  Watch the entire segment to hear Dr. Harris-Lacewell’s parting admonition:

View “Rachel Maddow video: Senate scramble

So…McNulty

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We’ve been discussing the fate of McNulty. From the path the show is taking, and from the looks of the previews, McNulty hasn’t got much of a future. He’s permanently fucked things up with Rhonda, Beadie, his ex, and his kids. His secret is out within the department and looks like it gets out into City Hall next week too. There are more homeless bodies turning up, meaning maybe, what, a copy-cat killer who got his ideas reading about McNulty’s fiction in the papers?
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Time to ‘fess up

“Deserve got nuthin’ to do with it.”
-Snoop
Epigraph for Episode 59, Late Editions.
Discuss first impressions, speculation, etc. Spoilers must go here.

#7 Lake Trout Special: been caught stealing edition

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(click on the thumbnails for larger photos)

Friday open thread.

Eyes on your own work!  Miz Nall has sharp eyes …

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…like a train that is nearly always late

Speculation, not spoilers.

In 58, while Sydnor is doing surveillance on Marlo and Monk, a train passes by on the el in the background. (Dunno if they call it an el in Bal’more. So shoot me. No, wait, don’t.)

We’ve talked a lot about trains foreshadowing death in The Wire. Was this Omar’s train? But Omar died a lot earlier in the episode. Monk? Who cares? Marlo? Maybe, but maybe not.

So I’m thinking about Sydnor, and the repercussions of McNulty’s hubris. We all know that fate will deal McNulty a big steaming cup of remorse by the end of the season, and it’s not just going to be some trivial shit like getting put back on harbor patrol.

What’s the worst thing that has ever happened to McNulty? Not losing touch with his kids. Not fucking up every relationship he’s ever had.

No, the worse thing that we’ve seen happen to McNulty was when Kima got shot and McNulty thought she was going to die and it was all his fault. Like Winston Smith and his fear of rats, the thing that scares McNulty most, the thing that would tear him right in half, is to be responsible for getting a police killed.

Which brings me back to Sydnor. Who has been out doing surveillance in unfamiliar neighborhoods, in plainclothes, stopping at intersections to peer into a map…in a rental car, courtesy of McNulty’s shadow department. They made a big deal about the police getting rental cars, but as anybody who lives in a carjacking kind of city knows, stopping at an intersection in a rental car in a sketchy neighborhood to focus on a map is like wearing a sign that says “Please shoot me and steal my car.”

The camera shot from the passenger seat, showing Sydnor with his nose in his map and the open driver’s side window next to him, I expected him to get popped right then.

And then there’s the train, which Sydnor got a good look at through the binoculars.

I wouldn’t put money on Sydnor catching a bullet, but at this point I am pretty much expecting it.

Me and my lonesome

” A lie ain’t a side of a story. It’s just a lie.”

-Terry Hanning

Epigraph for Episode 58, Clarifications.

Discuss first impressions, speculation, etc. Spoilers must go here.

We’re All in This Alone: Final Thoughts on “Took”

“Took,” as in “got took.” Fooled, conned, manipulated or lied to. See also owned, pwned, punked.

A week of thinking about this episode didn’t yield much of anything new. I don’t think there were any subtle truths hidden in the layers. For that matter, I don’t think there were a lot of layers. There was certainly a lot of “getting took” happening in Ep 57, ranging from the comical to the tragic. In general, I’d characterize this episode as the one where the other shoe dropped: McNulty’s (and Lester’s) charade is fully engaged, and the surge is working. Sort of.

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Let’s do some real police work

And let’s do it by trying to see what the titles of the episodes can tell us.

The last couple of episodes have the titles The Dickensian Aspect and Took.  It’s obvious where the former came from, and the latter, well, that kind of makes sense as well.  Without looking at anything but the titles of the upcoming episodes, let’s see if we can make some kind of sense about where the crew is going in the final 3 episodes.

Clarifications, Late Editions, and -30- are the names of the last 3. 

I don’t really know about Clarifications, but Late Editions could have a big double-entendre going on.  There will be blood.

But I’m just stumped on -30-.  Wait, Wikipedia to the rescue.

“–30–” is a journalistic term that has been used to signify “the end” or “over and out” since the Civil War when telegraphers tapped “XXX” to end transmissions (“XXX” being the Roman numeral for 30).

Well, so much for that.  WPedia also said that the last episode is 93 minutes long.

Police work … whaddya know?

“They don’t teach it in law school.”

Epigraph for Episode 57, Took.

Discuss first impressions, speculation, etc. Spoilers must be flagged.

“we were all going direct to heaven, we were all going direct the other way”

[I know 56 -The Dickensian Aspect is old news but I need to get rid of this post that's been rattling around in my head, that I threw away more than once but still won't leave me alone.]

The first thing we see at the beginning of the teaser is exactly what we do expect and want least to see: a body.

The thing is, it should not be coming from inside the condo, from upstairs. There should be a body right there in front of us already, and it should be Omar’s.

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One, two, three different characters, plus the camera itself, do the double take: up, then down. We almost expect the camera to shake its lens in bewilderment.

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“It don’t seem possible.”

“It don’t.”

Indeed, this is some Spiderman shit.

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