But noooooooooo, they don’t. So, here.
I love that David Simon always seems cranky, even when he’s laughing.
This is good strategery, given that Maryland is already strong blue.
Tomorrow, members of the cast of the Peabody Award-winning drama series The Wire will attend a Backyard Brunch for Barack in Raleigh. Seven of the show’s cast members will visit the Tarheel State in support of the change Barack Obama will bring across the country and in North Carolina.
Chad Coleman (who plays Dennis “Cutty” Wise), Deidre Lovejoy (who plays Rhonda Pearlman), Jamie Hector (Marlo Stanfield), Clarke Peters (Detective Lester Freamon), Sonja Sohn (Detective Shakima “Kima” Greggs), Seth Gilliam (Sergeant Ellis Carver), and Gbenga Akinnagbe (Chris Partlow) will all appear at the backyard brunch on Sunday.
On Monday, Chad Coleman, Deidre Lovejoy, and Jamie Hector will visit UNC Chapel Hill and Duke University to encourage students to vote early. Early voting in North Carolina started October 16 and November 1 is the last day voters may take advantage of early voting.
HEART OF THE CITY: BLACK URBAN LIFE ON THE WIRE
January 29-30, 2009
University of Michigan
Ann Arbor, Michigan
The Black Humanities Collective
and The Center for Afroamerican and African Studies
CALL FOR PAPERS
Please distribute widely
The Black Humanities Collective (BHC) and The Center for Afroamerican and African Studies (CAAS) of the University of Michigan invite individual paper and panel proposals for our 2009 symposium, “Heart of the City: Black Urban Life on The Wire.
Critically acclaimed and nationally syndicated, HBO’s series The Wire depicts a racialized postindustrial cityscape, marred by the brutal provenance of the drug economy. In its five seasons, the series is as much a dramatic achievement as it is a complex portrait of a black urban experience. Featuring a predominantly black cast, The Wire is an exceptional cultural text from which to examine a wide range of urban issues, to be approached from literary, historical, political, and sociological perspectives.
This symposium proposes a critical consideration of The Wire, which treats the show as both a topic and a model of critique. Our aim is to create a space that is open and interdisciplinary. Graduate students, professors, and independent scholars working in the Humanities, the Arts, Social Sciences, Public Policy, and elsewhere are encouraged to join this collective discussion. In this sense, The Wire can serve as a common point of discussion, as a viable vehicle of social engagement in its own right and a text worthy of careful and extended investigation.
Potential paper/panel topics include:
To submit a paper or panel proposal, please send a 250 word abstract via email to firstname.lastname@example.org. Abstracts and pr oposals are due Monday, December 1, 2008. Acceptance notifications will be emailed by Monday December 15, 2008.
The Black Humanities Collective is an interdisciplinary graduate student and faculty organization at the University of Michigan dedicated to the intellectual and professional development of those studying Africa and its diaspora.